The business question
Post-production is most effective when its requirements are considered before the shoot. Screen replacements, cleanup, tracking, motion overlays and colour consistency can require specific source material. Early planning reduces avoidable compromises at the finishing stage.
What we deliver
- Editorial structure, offline edit and review versions
- Colour correction, grading and visual consistency
- VFX, compositing, cleanup and screen replacement
- Titles, animation, motion graphics and format adaptations
- Sound design, mix, subtitles and delivery masters
How the engagement works
We audit source assets and agree references, finishing standards and revision points. Editorial approval comes before final finishing. Visual effects, colour, sound and export checks are coordinated against the delivery specification.
Measurement & accountability
Brief compliance, technical delivery quality, visual consistency and approval efficiency. Where ads are included, creative effectiveness is evaluated through the media test plan.
Complex CGI, simulations and specialist visual effects are scoped by shot and technical requirements. Stock, music and font licences are agreed explicitly.
A shot-level scope
A breakdown lists the source footage, intended effect, references, compositing or animation requirements, review rounds and output specifications for each shot. This keeps creative ambition connected to a production schedule and approval process.
Can you work with existing footage?
Yes, subject to a source audit covering quality, available files and usage rights. The finishing scope depends on what the material can support.